BOOKS
2024
Reading the Romantic Ridiculous, with Andrew McInnes, Routledge
2022
Women and Property Ownership in Jane Austen, Peter Lang
EDITED SPECIAL ISSUES
2021
'Women and Property in the long Eighteenth Century,' with Karen Lipsedge, Journal for Eighteenth-Century Studies, vol. 44, no. 4, pp. 335-341
JOURNAL ARTICLES
2024
‘Adapting Jane Austen’s “Hetero Nonsense” in Andrew Ahn’s Fire Island,’ with Andrew McInnes, Persuasions: The Jane Austen Journal, vol. 45, no.1
2023
'Witches and Jedi Guardians: Jane Austen’s Portraits Then and Now,' Persuasions: The Jane Austen Journal, vol. 44, no. 1
'Sadist, Land Shark, and Reptile: Autumn de Wilde’s EMMA.,' with Andrew McInnes, The Journal of Popular Culture, vol, 56, no. 3-4, pp. 456-477
'Reading for Normal: Young People and Fiction in the Time of Covid-19,' with Alison Waller, Mémoires du Livre: Studies in Book Culture, vol. 13, no. 2, pp. 1-36
2022
'The Objectification of Lady Delacour in Maria Edgeworth’s Belinda,' Op. Cit.: A Journal of Anglo-American Studies, 2nd series, no. 11-12, pp. 11-28
2021
'The Triumph of the Estate? — Fanny Price and Immoral Ownership of Property in Jane Austen’s Mansfield Park,' Journal for Eighteenth-Century Studies, vol. 44, no. 4, pp. 453-468
'"The Penalties of Greatness": The Heiress in Susan Ferrier’s The Inheritance.' Nineteenth-Century Studies, vol. 32, pp. 38-54
2018
'"An Office in Which She Had Always Depended": Surrogate Managers in Jane Austen’s Mansfield Park and Persuasion.' Journal for Eighteenth-Century Studies, vol. 41, no. 3, pp. 373-389
2014
'Was Mary Wroth Shakespeare’s Dark Lady?' Op. Cit.: A Journal of Anglo-American Studies, 2nd series, no. 3
BOOK CHAPTERS
2025
'The Collector and the Collected: Jane Austen and the 1810s Novel,' Nineteenth-Century Literature in Transition: The 1810s, edited by Emma Mason, Cambridge University Press (Forthcoming)
2024
'"Just to Break Me Like a Promise": Taylor Swift as Dejected Romantic Heroine,' The Literary Taylor Swift, edited by Betsy Tontiplaphol and Anastasia Klimchynskaya, Bloomsbury, pp. pp. 37-47
'Creators of Spaces: The Art of Owning, Inhabiting and Imagining Property in Jane Austen,' A Companion to Jane Austen and the Arts, edited by Joe Bray and Hannah Moss, Edinburgh University Press, pp. pp. 307-320
2016
'Women Owning Property: The Great Lady in Jane Austen,' Jane Austen and Philosophy, edited by Mimi Marinucci. Rowman and Littlefield, pp. 107-119
REVIEWS
2021
Review of Arielle Zibrak’s Guilty Pleasures, Edith Wharton Review, vol. 37, no. 1, pp. 82-90
Review of Joanna Wharton’s Material Enlightenment: Women Writers and the Science of Mind, 1770-1830, Eighteenth-Century Fiction, vol. 33, no. 2, pp. 317-319
2020
Review of Tom Keymer’s Jane Austen: Writing, Society, Politics for The Jane Austen Society Newsletter, Autumn 2020, pp. 21-22
2019
Review of Briony McDonagh, Elite Women and the Agricultural Landscape, 1700-1830, in Women’s Studies Group, 1558-1837
Review of Joe Bray, The Language of Jane Austen in The Jane Austen Society Newsletter, Spring 2019, pp. 11-12
2018
Review of Jocelyn Harris, Satire, Celebrity, and Politics in Jane Austen, in The Jane Austen Society Newsletter, Spring 2018, pp. 16-17
2017
Review of Jessica A. Volz, Visuality in the Novels of Austen, Radcliffe, Edgeworth and Burney, in The Jane Austen Society Newsletter, Autumn 2017, pp. 14-15
MEDIA
2026
‘Tearing Down the House: Mary Verney of Claydon House, an Heiress in the Age of Jane Austen,’ Jane Austen’s Regency World Magazine, no. 140, pp. 40-47
2023
'Borrowings: The Libraries, Reading Communities and Cultural Formation in the Eighteenth-Century Atlantic Project,' The Modern Humanities Research Association Blog, 26 Mar. 2023
2021
'"No, not that one": Emma as Disney Villain.' Keats-Shelley Association of America Blog, 3 Aug. 2021
‘May the Fourth Be with Me,’ The Romantic Ridiculous Blog, 4 May 2021
2017
'"My Dear Bess" — The Relationship Between Georgiana, Duchess of Devonshire, and Lady Elizabeth Foster.' History Matters, 14 Sep. 2017
GUIDANCE PAPERS
2020
'Reading for Normal: A Guidance Paper for Teachers,' with Alison Waller
